![]() So many other things are spoofed here even the statutory warning video about cigarette smoking is not spared. From Sibi Malayail's Thaniyavartanam (1987) to Sameer Thahir's NPCB (2013) - all are referred in this quirky comedy that falters only at the climax. It parodies and refers so many films that if I start listing, I may end up making a bestseller. ![]() Filled with jokes about social and current affairs, cinema, politics, social media, world affairs, and relationships, the film is a definite entertainer. Since it is a spoof movie, one does not search for logic in the plot line and that itself, per se, is the single greatest factor that the film enjoys in preventing itself from being kicked off as nonsense. The humor is created by screwballing the characterization and the plot, slipping in absurd situations sporadically. And boy, is it fun to see the stories unfold. Now this story is what is recited by Ambujakshan with frames shifting from this story to the actual recitation. Abu) whose relationship is jeopardized by a third character, the UK man (again Boban). The film inside the film is a love story between a tailor (Boban) and Sumathi (Mrs. ![]() One better learn to read Malayalam or he/she may miss the textual inferences. ![]() #SOMKE VERY VERY OLD MALAYALAM MOVIE SONGS FULL#With lots of textual graphics surrounding this narration, the introduction is full of potshots aimed at the conventionality of Malayalam cinema. Our neighborhood aspiring writer N P Ambujakshan (Sreenivasan) from Azhakiya Ravanan (1996) is reciting his script to potential producers. Starting with a cheeky narration (by Lal Jose, and then by Sreenivasan himself), the film is a film inside a film. Malayalam cinema has rarely ventured into the spoof genre, and with Chirakodinja Kinavukal, the genre gets a glorious welcome. ![]()
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